By Craig Harkema
University Archives and Special Collections, University of Saskatchewan
Sherratt, T. (2017). Seams and edges: Dreams of aggregation, access & discovery in a broken world. [online] discontents. Available at: http://discontents.com.au/seams-and-edges-dreams-of-aggregation-access-discovery-in-a-broken-world/
As a librarian who has focused on digital initiatives over the course of the past 8 years or so, I’ve followed with great interest the many projects and programs that have emerged out of Australia during this time. I find myself regularly checking in on some of the incredible hackers, artists, culture curators, and innovators from Oz. Their names – Tim Sherratt (formerly at the Trove, currently at the University of Canberra), Sarah Kenderdine (University of New South Wales), Paula Bray (DX Lab, New South Wales), Mitchell Whitelaw (Australian National University) and Seb Chan (Australian Centre for the Moving Image), among others – continue to pop out of my mouth when discussing digital cultural collections with my colleagues. So when asked to select and lead a discussion about an article of my choice for the Centre for Evidence Based Library and Information Practice (C-EBLIP) journal club, I knew I’d likely pick something from one of the above.
As it happens, three years ago I was lucky enough to be in Canberra and stop in to visit the good folks at the Trove. Near the end of my time there, I had the chance to talk with Sherratt, standing out just a touch in his casual attire, wearing red Converse Chuck Taylors. Mostly we chatted about these sorts of initiatives as platforms for developing tools and about the possibilities for use and reuse of digital content found in places like the Trove, Europeana, DPLA, and, on a much smaller scale, Sask History Online (the project I was leading at the time). Later that week he presented a talk called “Seams and Edges: Dreams of Aggregation, Access, and Discovery in a Broken World” at the Australian Library and Information Association (ALIA) Conference. I’ll get back to it in a bit, but I feel this particular talk/blog post is as good a place as any to begin learning what Sherratt’s work is about. I think the Trove itself is a great example of how these large initiatives can support a wide range of research and public interest objectives; objectives we as library people should be most interested in.
Although he has now moved on from the Trove, Sherratt’s influence on the program will undoubtedly be long lasting. As much as anything, he has advanced the concept of the Trove as a platform for building tools and collections through the API. Trove is much more than a search engine that delivers results instantaneously. I’m hopeful this will continue in his absence and in the wake of massive budget cuts from the Australian government. Not surprisingly then, part of the Trove’s mandate is to develop a systems infrastructure and community that encourages and enables folks to reuse content. For Sherratt, the Trove has been just that, a store of valuable, quirky, surprising, and baffling materials that can be pulled apart and woven back together. It’s clear that he has developed a multifaceted and multilevel scholarly practice over the past several years, one that follows from a concerted effort to take a different tack from many of his peers:
A scholarly practice that has room for the angry and the weird alongside the rigorous and detached. That sees in digital technologies not just the chance to crunch huge quantities of data, but the opportunity to tinker with our preconceptions, to be playful and political, to explore emotions as well as evidence, to create bots as well as books ( “#Borderfarce…”, September 2015).
He has long been illustrating how this can be done and, often using the Trove’s API, has developed several new approaches to exploring and interacting with the content.
One example of this is his Eyes on the Past project, an experimental interface built in a weekend – the quick agile development worth noting – using facial recognition software. Like his Faces project, it is meant to reinforce to users that history is made up of stories about real people. The interface allows users to navigate the collections by scanning the faces and/or eyes of the individuals who are featured in the textual content. As he says in “Seams and Edges”:
By focusing on the stylish minimalism of the search box, we discard opportunities for traversing relationships, for fostering serendipity, for seeing the big picture. By creating experimental interfaces, by playing around with our expectations, we can start to think differently — to develop new metaphors for our online experience that are not framed around technological conquest.
The ability to work with content in these ways enables Sherratt and others to develop news ways of engaging with culture and history. Which brings me around to one of the reasons Sherratt’s work is so interesting to me and, as it turns out, to the folks who showed up at the C-EBLIP journal club. I think as 21st-century librarians and archivists we should consider more carefully the metaphors and jargon used by purveyors of systems and content providers, and indeed those used by ourselves. As the title of the article suggests, Sherratt hones in on problems associated with the terms “seamlessness” and/or “seamless discovery” – metaphors matter. Pursuing “seamless discovery” in the wake of Google means engaging with questions of politics and power.” So what does it mean, for example, when Ex Libris promotes Primo (their discovery layer) as providing “users with a consistent discovery across devices, quick access to frequent actions, and seamless patron services – all from a single, intuitive web interface.” More importantly, what are we giving up and what do our users need to know when using a system that promises seamlessness and quick access? As Sherratt suggests, “seams are not simply obstacles to a smooth user experience, they’re reminders that our online services are themselves constructed. There’s nothing natural or inevitable about a list of search results.” Do we consider this every time we perform a search? Do those we help work with these systems? And what role do we play in revealing seams and edges? Or in the development of systems, tools, and approaches that help us become aware of and engage with them?
I’m not sure Sherratt’s work is explicitly a call to action, but for me, his hacker ethos combined with critical approaches to historical research challenge me to consider the standard ways we do our work. The profession would be well served by challenging the status quo more often and by developing our own creative solutions to our own complex problems. By making room for the angry and weird, tinkering with our preconceptions, and developing new metaphors, we have the opportunity to make important changes to the way people interact with the information we help provide and preserve.
This article gives the views of the author(s) and not necessarily the views of the Centre for Evidence Based Library and Information Practice or the University Library, University of Saskatchewan.